ERIK AHRNBOM

AWARDS

2007 – The magazine CITY: s tv-prize, Lite som du

2001 – The Ingmar Bergman-award

Erik Ahrnbom is drawn to the lives of ordinary people—their struggles, humour, and quiet triumphs. Whether writing heartfelt comedies or crime dramas, he has a gift for capturing humanity in all its complexity. With over two decades in the industry, Erik is one of Sweden’s most experienced screenwriters, with productions that has won both hearts and awards on his resume.

Erik started his career in the early 2000s, when he wrote episodes for the generational cult classic series SPUNG. Since then, he has made a huge impact on Swedish television, moving seamlessly between format and genres, from crime, comedy, drama to children.

Among Erik’s proudest works is Cockpit, a warm and sharp comedy that perfectly showcases his writing. Tackling the theme of gender identity with both humour and heart, the film is a testament to Erik’s ability to address important societal issues without losing entertainment value. Another highlight is Hålla Samman, which Erik served as head writer for during his time at Anagram. The show is a prime example of Erik’s talent for creating relatable and empathetic characters.

During Erik’s time at Anagram, he also contributed to various projects where he himself did not write the scripts, as a dramaturge, and this is something he wishes to continue with as a freelancer.

Crime/Nordic noir is another area where Erik has left his mark, having contributed to acclaimed series such as Bron (The Bridge), Arne Dahl, and Maria Wern. He thrives on adaptations, skilfully elevating existing stories into new formats, and is a great asset to big projects, where he contributes with a deep understanding of structure and a clear creative vision.

At the core of Erik’s storytelling is a fascination for ordinary people and their everyday struggles. He has a particular love for exploring humour in the public sector — something he masterfully did in Tunna Blå Linjen (Thin Blue Line) – and he is working on several original ideas on that theme. No matter the genre, Erik’s writing is always rooted in humanity, nuance, and a keen sense of what makes people tick.

TV

2023 – Hålla samman, Anagram, head writer
2017–2024 – Tunna blå linjen, seasons 1-3, Anagram, storyline & episode writer
2017 – Lingonligan, Anagram, head writer
2015 – Bron, season 3, Filmlance, episode writer
2013 – Arne Dahl, season 2, Filmlance, episode writer
2011 – 30 grader I februari, Anagram, episode writer
2011 – Maria Wern, Warner Bros ITV, episode writer
2009 – Playa del Sol, Baluba & Brain Academy, episode writer
2009 – Livet I Fagervik, SVT, episode writer
2006 – Lite som du, SVT, head writer
2004 – Höjdarna, SVT, storyline
2003 – S.P.U.N.G 2.0, SVT, episode writer & script editor
2003 – Allt och lite till, SVT, episode writer
2003 – Skeppsholmen, SVT, episode writer
2003 – S.P.U.N.G, SVT, episode writer

FILM

2014 – Hallonbåtsflyktingen, Mathilda Röhr productions, writer – with Daniel Karlsson
2013 – Stockholm Stories, Chamdin & Stöhr, writer
2012 – Cockpit, Garagefilm, writer
2006 – Linas kvällsbok, SF Studios, writer